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But on approaching the owner, Lord David Cobbold, Bannister spotted a natural amphitheatre of hill within the park and couldn’t resist hosting a louder and more expensive affair.

Just 20 miles from the centre of London, Knebworth was too hard to resist.

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“Blackstar,” David Bowie -- Bowie will not do what you want. “Faces of Stone,” David Gilmour -- The most Pink Floyd-y track since 1979.179.

“When Gods Go Mad,” Czarface with GZA -- Wu-Tang Clan's Inspectah Deck and Boston’s 7L & Esoteric.

Maybe as a compromise we can all agree the New Kids on the Block (or even JT) need to cover this and make Bello rich.182.

“Massachusetts Avenue,” Geoff Eng -- A New Zealand native who started at Berklee last year, Ong makes pop that would make Hall & Oates proud.

Ahead of this evening’s collaboration and in honor of Jennifer’s birthday, below is a collection of five instances in recent years where she’s supplied guest trumpet or vocals (or both) alongside some of the jam scene’s most beloved acts.

Since 2001 Hartwick’s been a nearly constant figure and integral element of the Trey Anastasio Band horn section.

The the story of the unlikely transformation of the sleepy, 300-acre lush park, featuring the grandiose house which dates back 1490, into a riotous music mecca is an intriguing one.

Legendary promoter Freddy Bannister had originally intended to emulate a Renaissance festival he’d visited in San Francisco.“They had a symphony orchestra playing in a beautiful glade with a choir, offered half-price entry to those in Elizabethan dress and had minstrels walking around playing music,” he says, adding that classical music, stained-glass making and tie-dye had been the intended quaint feel.

Yes, the Hall & Oates of "Maneater." But more the duo that made the bubbly, buoyant soul of "Abandoned Luncheonette" (you don't know? “Whatever Happened,” Brian Wilson -- He reunites with old bandmates Al Jardine and David Marks and harmonizes like it's 1966.184.

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